Part I

 

The Culture of Real Virtuality: The

Integration of electronic

Communication, the End of the

Mass Audience, and the Rise of

Interactive Networks

 

Around 700BC a major invention took place in Greece: the alphabet.

 

Widespread literacy did not occur until many centuries later, after the invention and diffusion of the printing press and the manufacturing of paper.

 

Yet it was the alphabet that, in the West, provided the mental infrastructure for cumulative, knowledge-based communication.

 

A technological transformation of similar historic dimensions is taking place 2,700 years later.

 

Namely the integration of various modes of communication into an interactive network.

 

Or, in other words, the formation of a Super-Text and a Meta-Language.

 

That, for the first time in history, integrates into the same system the written, oral, and audiovisual modalities of human communication.

 

The human spirit reunites its dimensions in a new interaction between the two sides of the brain, machines, and social contexts.

 

For all the science fiction ideology and commercial hype surrounding the emergence of the so call Information Superhighway.

 

We can hardly underestimate its significance.

 

The potential integration of text, images, and sounds in the same system, interacting from multiple points, in chosen time (real or delayed).

 

Along a global network, in conditions of open and affordable access.

 

Does fundamentally change the character of communication.

 

And communication decisively shapes culture.

 

 

 

Because

 

            “we do not see…reality…as ‘it’ is, but as our languages are.  And our

            languages are our media.  Our media are our metaphors.  Our metaphors

            create the content of our culture.”

 

Because culture is mediated and enacted through communication.

 

Cultures themselves, that is our historically produced systems of beliefs and codes, become fundamentally transformed.

 

And will be more so over time, by the new technological system.

 

From the Gutenberg Galaxy to the McLuhan Galaxy:

The Rise of Mass Media Culture

 

The diffusion of television in the three decades following World War II (in different times and with variable intensity depending on countries) created a new Galaxy of communication.

 

Radio lost it centrality but won in pervasiveness and flexibility, adapting modes and themes to the rhythm of people’ everyday lives.

 

Films transformed themselves to fit television audiences.

 

With the exceptions of government subsidized art and of special-effects shows on large screens.

 

Newspapers and magazines specialized in deepening their content or targeting their audience.

 

While being attentive to providing strategic information to the dominant TV medium.

 

As for books, they remained books, although the unconscious desire behind many books was to become a TV script.

 

The best sellers’ lists soon became filled with titles referring to TV characters or to TV-popularized themes.

 

The TV-dominated systems could be easily characterized as mass media.

 

A similar message was simultaneously emitted from a few centralized senders to an audience of millions of receivers.

 

Thus, the content and format of messages were tailored to the lowest common denominator.

 

What was fundamentally new in television?

 

The novelty was not so much its centralizing power and its potential as a propaganda instrument.

 

What TV represented, first of all, was the end of the Gutenberg Galaxy.

 

That is of a system of communication essentially dominated by the typographic mind and the phonetic alphabet order.

 

The mode of TV image has nothing in common with film or photo.

 

With TV, the viewer is the screen. 

 

He is bombarded with light impulses.

 

The TV image is not a still shot.

 

It is not a photo in any sense, but a ceaselessly forming contour of things limned by the scanning-finger.

 

The resulting plastic contour appears by light through, not light on, and the image so formed has the quality of sculptures and icon, rather than a picture.

 

The TV image offers some three million dots per second to the receiver.

 

From these he accepts only a few dozen each instant, from which to make an image.

 

Led by television, there has been in the last three decades a communication explosion throughout the world.

 

In the most TV-oriented country, the United States, in the late 1980s TV presented 3,600 images per minute per channel.

 

According to the Nielsen Report the average American home had the TV set on for about seven hours a day.

 

The actual viewing was estimated at 4.5 daily hours per adult.

 

To this had to be added radio, which offered 100 words per minute and was listened to an average of two hours a day, mainly in the car.

 

An average daily newspaper offered 150,000 words and it was estimated to take between 18 and 49 minutes of daily reading time.

 

While magazines were browsed over for about 6 to 30 minutes.

 

And book reading, including schoolwork-related books, took about 18 minutes per day.

 

Media exposure is cumulative.

 

According to some studies, US homes with cable TV watch more network TV than homes without cable.

 

All in all, the average adult American uses 6.43 hours a day in media attention.

 

This figure can be contrasted (although in rigor it is not comparable) to other data that give the number of 14 minutes per day and per person for interpersonal interaction in the household.

 

In Japan in 1992, the weekly average of television watching time per household was 8 hours and 17 minutes per day.

 

Up by 25 minutes from 1980.

 

Other countries seem to be less intensive consumers of media.

 

For example, in the late 1980s French adults watched TV only about three hours a day.

 

Still, the predominant pattern of behavior around the world seems to be that in urban societies media consumption is the second largest category of activity behind work.

 

And certainly the predominant activity at home.

 

The media, particularly radio and television, have become the audiovisual environment with which we interact endlessly and automatically.

 

Furthermore, the barrage of advertising messages received through the media seems to have limited effect.

 

Although in the US the average person is exposed to 1,600 advertising messages per day.

 

People respond (and not necessarily positively) to only about 12 of them.

 

The real power of television is that it sets the stage for all processes that intend to be communicated to society at large.

 

From politics to business, including sports and art.

 

Thus, information and entertainment, education and propaganda, relaxation and hypnosis are all blurred in the language of television.

 

Because the context of the viewing is controllable and familiar to the receiver.

 

All messages are absorbed into the reassuring mode of the home, or quasi-home situations.

 

For instance, sports bars as one of the few real extended families left.

 

This normalization of messages, where atrocious images of real war can almost be absorbed as part of action movies, does have a fundamental impact.

 

The leveling of all content into each person’s frame of images.

 

Thus, because they are the symbolic fabric of our life, the media tend to work on consciousness and behavior as real experience works on dreams.

 

Providing the raw material out of which our brain works.

 

It is as if the world of visual dreams (the information/entertainment provided by television)  would give back to our consciousness the power to select, recombine, and interpret the images and sounds that we have generated through our collective practices by our individual preferences.

 

It is a system of feedback’s between distorting mirrors.

 

The media are the expression of our culture, and our culture works primarily through the materials provided by the media.

 

The New Media and the Diversification of Mass

Audience

 

The decisive move was the multiplication of television channels, leading to their increasing diversification.

 

Development of cable television technologies, to be fostered in the 1990s by fiber optics and digitization and of direct satellite broadcasting.

 

Dramatically expanded the spectrum of transmission.

 

And put pressure on the authorities to deregulate communications in general and television in particular.

 

In the US the number of independent TV stations grew during the 1980s from 62 to 330.

 

Cable systems in major metropolitan areas feature up to 60 channels.

 

Mixing TV, independent stations, cable networks, most of them specialized, and pay TV.

 

According to UNESCO, in 1992 there were over 1 billion TV sets in the world.

 

35% of which were in Europe, 32% in Asia, 20% in North America, 8% in Latin America, 4% in the Middle East, and 1% in Africa.

 

Ownership of TV sets was expected to grow at 5% per year up to the year 2000, with Asia leading the charge.

 

In the US, while the three major networks controlled 90% of prime-time audience in 1980, their share went down to 65% in 1990.

 

And the trend has accelerated since: it stands at slightly over 60% in 1995.

 

In addition, the widespread practice of  “surfing”  introduces the creation by the audience of their own visual mosaics.

 

The media have become indeed globally interconnected, and programs and messages circulate in the global network.

 

We are not living in a global village, but in customized cottages globally produced and locally distributed.

 

At the origins of Internet is the work of one of the most innovative research institutions in the world.

 

The US Defense Department’s Advanced Research Projects Agency (DARPA).

 

When in the late 1950s the launching of the first Sputnik alarmed the American high-tech military establishment.

 

DARPA undertook a number of bold initiatives, some of which changed the history of technology.

 

And ushered in the information age on a grand scale.

 

One of these strategies, developing an idea conceived by Paul Baran at Rand Corporation.

 

Was to design a communications system invulnerable to nuclear attack.

 

Based on packet-switching communication technology.

 

The system made the network independent of command and control centers.

 

So that message units would find their own routes along the network.

 

Being reassembled in coherent meaning at any point in the network.

 

When, later on, digital technology allowed the packaging of all kinds of messages, including sound, images, and data, a network was formed.

 

The network was able to communicate all kinds of symbols without using control centers.

 

The universality of digital language and the pure networking logic of the communication system created the technological conditions for horizontal, global communication.

 

The first such network, named ARPANET after its powerful sponsor, went on-line in 1969.

 

It was opened to research centers cooperating with the US Defense Department.

 

But scientists started to use it for all kinds of communication purposes.

 

At one point it became difficult to separate military-oriented research from scientific communication and from personal chatting.

 

Thus, scientists of all disciplines were given access to the network.

 

And in 1983 there was a split between ARPANET, dedicated to scientific purposes.

 

And MILNET, directly oriented to military applications.

 

The National Science Foundation also became involved in the 1980s in creating another scientific network.

 

CSNET.

 

And – in cooperation with IBM – still another network for non-science scholars.

 

BITNET.

 

Yet all the networks used ARPANET as their communication system.

 

The network of networks that formed during the 1980s was called

ARPA-INTERNET.

 

Then INTERNET.

 

Still supported by the Defense Department and operated by the National Science Foundation.

 

For the network to be able to sustain the fantastic growth in the volume of communication, transmission technology had to be enhanced.

 

In the 1970s, ARPANET was using 56,000 bits-per-second links.

 

In 1987, the network lines transmitted 1.5 million bits per second.

 

By 1992, the NSFNET, backbone network behind Internet, operated at transmission speeds of 45 millions bits per second.

 

Enough capacity to send 5,000 pages per second.

 

In 1995, gigabit transmission technology was in the prototype stage.

 

With capacity equivalent to transmitting the US Library of Congress in one minute.

 

Computers had to be able to talk to each other.

 

The obstacle was overcome with the creation of UNIX, an operating system enabling access from computer to computer.

 

The system was invented by Bell Laboratories in 1969.

 

But became widely used only after 1983, when Berkeley researchers (again funded by ARPA) adapted to UNIX the TCP/IP protocol.

 

That made it possible for computers not only to communicate but, to encode and decode data packages traveling at high speed in the Internet network.

 

The modem was invented by two Chicago students, Ward Christensen and Randy Suess, in 1979.

 

They were trying to find a system to transfer microcomputer programs to each other through the telephone.

 

To avoid traveling in the Chicago winter between their distant locations.

 

In 1979 they diffused the XModem protocol that allowed computers to transfer files directly without going through a host system.

 

And they diffused the technology at no cost, because their purpose was to spread communication capabilities as much as possible.

 

Computer networks that were excluded from ARPANET (reserved to elite science universities in its early stages) found their way to start communicating with each other on their own.

 

In 1979, three students at Duke University and University of North Carolina, not included in ARPANET, created a modified version of the Unix  protocol.

 

That made it possible to link up computers over the regular telephone line.

 

They used it to start a forum of on-line computer discussion, Usenet, that quickly became one of the first large-scale electronic conversation systems.

 

In the 1990s, business has realized the extraordinary potential of Internet.

 

As the National Science Foundation decided to privatize some of the major operations of the network to the usual large corporation consortiums.

 

ATT, MCI-IBM, and so on.

 

The commercialization of Internet grew at a fast rate.

 

The peaceful coexistence of various interests and cultures in the net took the form of the World Wide Web (WWW).

 

A flexible network of networks within the Internet where institutions, businesses, associations, and individuals create their own “sites.”

 

On the basis of which everybody with access can produce her/his/its “home page,” made of a variable collage of text and images.

 

Helped by software technology first developed in Mosaic.

 

A Web browser software program invented in 1992 by students in Illinois, at the National Center for Supercomputing Applications.

 

The Web allowed for groupings of interests and projects in the net, overcoming the time-costly chaotic browsing of pre-WWW Internet.

 

On the basis of these groupings, individuals and organizations were able to interact meaningfully.

 

On what has become, literally, a World Wide Web of individualized, interactive communication.